events
July 9, 2023
gravity dreams iii (orbiting) for two electric guitars,
premiere by santorsa~pereyra duo,
Berlin, Germany
———————
June 27, 2023
gravity dreams ii for two pianos,
premiere by Julia Den Boer & Laura Barger,
Miller Theatre,
New York, USA
———————
June 18, 2023
where cobalt waves live for piano,
performed by Daniel Browell/Hard Rain Ensemble,
Amsterdam, The Netherlands
————–
June 16, 2023
where cobalt waves live for piano,
performed by Daniel Browell/Hard Rain Ensemble,
Belfast, Northern Ireland
————–
June 5 to 12, 2023
Guest Composer & Teacher at June in Buffalo,
performances from the Arditti Quartet and Switch Ensemble,
USA, June 2023
————–
May 24, 2023
anfa for augmented contrabass flute with visuals by Ailbhe Ní Bhriain,
performance by Claire Chase,
New York, USA
————–
May 11, 2023
eyam i (it takes an ocean not to) for solo clarinet,
performance by Carol McGonnell,
Leipzig, Germany
—–
April 21, 2023
MIDHE for 3 solo voices, solo accordion, spatialised choir, and orchestra,
premiered by Frauke Aulbert, Michelle O’Rourke, Eoghan Desmond, Dermot Dunne, National Philharmonic Choir, National Symphony Orchestra,
conducted by David Brophy,
visual direction from Justine Cooper, text from Annemarie Ní Churreáin,
National Concert Hall,
Dublin, Ireland
————–
March 18, 2023
on magnetic fields for large ensemble divided into three chamber groups,
performed by Gageego Ensemble,
Gotherburg, Sweden
————–
March 11, 2023
where cobalt waves live for piano,
performed by Uusinta Ensemble,
Helsinki, Finland
————–
March 8, 2023
Ceo & Eitilt for voice and piano,
Helsinki, Finland
————–
March 8, 2023
Inner for cello and piano,
performed by Hard Rain Soloists Ensemble,
Belfast, Northern Ireland
————–
March 8, 2023
Inner for cello and piano,
performed by Hard Rain Soloists Ensemble,
Belfast, Northern Ireland
————–
February 23, 2023
Surface Station #1 & mire|…|veins,
performed by Apparat,
km28,
Berlin, Germany
————–
February 11, 2023
luna (the eye that opens the other eye) for solo alto saxophone,
performed by Joshua Hyde/ELISION,
Clothworkers Centenary Concert Hall,
Leeds, UK
————–
December 16th, 2022
on magnetic fields for two violins and one loudspeaker,
performance by International Ensemble Modern Academy,
Frankfurt University of Music and Performing Arts (HfMDK),
Frankfurt, Germany
————–
November 20th, 2022
Dysmorphia II for viola, cello, double bass,
performance by Red Note Ensemble,
Huddersfield Contemporary Music Festival,
Phipps Hall,
Huddersfield, England
————–
October 13, 2022
Spiral Nebula,
interdisciplinary collaboration with Fiona Breen, Mary Cooney Power, and Brendan Farrell,
Courtyard Projections,
Birr, Ireland
————–
October 13 to 16, 2022
Guest Composer at Mixtur Festival,
I am not a clockmaker either for piano and electronics &
luna (the eye that opens the other eye) for saxophone
performed by Ensemble Suono Giallo,
Barcelona, Spain
——–
September 30, 2022
Inner for cello and piano,
performed by Curious Chamber Players,
Cinnober Teater,
Göteborg, Sweden
——–
September 18, 2021
eyam iii (if it’s living somewhere outside of you) for solo bass flute,
performed by Roberta Michel/ PinkNoise,
Scholes Street Studio, Brooklyn,
New York, USA
——–
September 1 to 12, 2022
Guest Jury Member at Gaudeamus Week,
performance of Fossil Light by riot ensemble,
Utrecht, The Netherlands
——–
August 23 to 30, 2022
Inner for viola and piano,
New Zealand
——–
July 21, 2022
I am not a clockmaker either for piano and electronics,
performance by Ensemble Suono Giallo,
Il Suono Contemporary Music Week,
Auditorium Santa Chiara Sansepolcro,
Tuscany, Italy
————–
July 4 to 10, 2022
Guest Composer at Tempus Konnex’s International Composer Exchange Week,
performance of Inner by Tempus Konnex,
Leipzig, Germany
—–
June 30th, 2022
fiáin for string quintet,
performance by Crash Ensemble,
Cork, Ireland
—–
June 16th, 2022
Inner for cello and piano,
performance by Trio Feedback & ARTSOM,
València, Spain
—–
June 11 to 26, 2022
Guest Composer at Yarn/Wire International Institute,
performance of where cobalt waves live by Emma Mistele,
New York, USA
—–
June 13, 2022
eyam i (it takes an ocean not to) for solo clarinet,
performance by Carlos Cardeiro,
University of Music Chamber Hall,
Freiburg, Germany
—–
June 13, 2022
Fossil Light for quartet,
performance by Musikfabrik,
Studio Musikfabrik,
Cologne, Germany
———–
June 1, 2022
Fossil Light for quartet,
performance by Musikfabrik,
National Concert Hall,
Dublin, Ireland
————–
May 23, 2022
93 million miles away for violin, cello, and piano,
performed by Collegium Novum Zürich,
Zürich, Switzerland
————–
May 8 to 11, 2022
The Little Lives,
premiere of a new opera at Munich Biennale,
Further details: https://muenchener-biennale.de/en/the-little-lives/
Utopia Hall,
Munich, Germany
————–
May 1, 2022
I am not a clockmaker either for piano and electronics,
performance by Isabelle O’Connell,
National Concert Hall,
Ireland
————–
April 1, 2022
Inner for cello and piano,
performance by Louise McMonagle and Neil Georgeson,
Brighton, UK
————–
March 25, 2022
ore for clarinet and string trio,
performance by Talea Ensemble,
Rice University,
Houston, Texas, USA
————–
March 23, 2022
Dorchadas for ensemble,
performance by International Ensemble Modern Academy,
Hochschule für Musik und Darstellende Kunst (HfMDK),
Frankfurt, Germany
————–
March 17, 2022
Ceo|Glór|Eitilt for voice and piano,
performance by Gavan Ring & Fiachra Garvey,
Tionscadal na nAmhrán Ealaíne Gaeilge/ Irish Language Art Song Project
Streamed from Wigmore Hall,
London, UK
————–
February 21, 2022
Periscope 1: Léas for voice,
A gift for the Royal Academy of Music’s 200th Birthday Celebration,
performed by Angharad Rowlands,
Angela Burgess Recital Hall, Royal Academy of Music,
London, UK
————–
December 28, 2021
the physics of fog, swirling for large ensemble
performed by the Cabinet of Curiosities,
Goethe-Institut Hall,
Tokyo, Japan
————–
December 19, 2021
93 million miles away for violin, cello, and piano,
performed by Uusinta Ensemble,
Helsinki, Finland
————–
December 17, 2021
Inner for cello and piano,
performance by House of Fire,
Neighborhood Unitarian Church,
California, USA
————–
December 9 – 11, 2021
premiere of anfa for augmented contrabass flute with visuals by Ailbhe Ní Bhriain,
performed by Claire Chase,
Density 2036, part viii,
New York, USA
————–
November 27, 2021
I am not a clockmaker either for piano and electronics,
Old Power Plant Station,
Slovenia
————–
November 21, 2021
the physics of fog, swirling for large ensemble
performed by Ensemble Kollektiv,
Luxembourg
————–
November 20, 2021
mire|…|veins for brass quintet,
performed by Ensemble Apparat,
Luxembourg
————–
November 3, 2021
Visiting Artist of Composition Seminars,
Boston Conservatory at Berklee,
USA / Online
————–
September 5, 2021
Musikfabrik Portrait Concert, programme to include:
mire |…| veins for brass quintet;
ore for clarinet and string trio;
on magnetic fields for a large ensemble divided into three chamber groups;
new work for quartet;
the physics of fog, swirling for large ensemble
performed by Musikfabrik, conducted by Enno Poppe,
Berliner Philharmonie, Main Hall,
Musikfest Berlin, Germany
————–
August 15, 2021
eyam i (it takes an ocean not to) for Bb Clarinet,
Performance by Carol McGonnell (Argento Chamber Ensemble),
New York, USA
————–
July 11, 2021
Tintrí (Lightings) for Mezzo-Soprano and Piano,
premiere by Ekaterina Chayka-Rubinstein and Jan Philip Schulze,
Kissinger Liederwerkstatt, programmed by Axel Bauni,
Rossini-Saal, Kissinger Sommer,
Bad Kissingen, Germany
————–
June 29, 2021
I am not a clockmaker either for accordion and electronics,
performance by Vera Drazic,
Reaktorhalle Spielstätte der Musikhochschule,
Munich, Germany
————–
June 24, 2021
eyam iii (if it’s living somewhere outside of you) for solo bass flute,
performed by Rachel Beetz,
Summer Institute of Contemporary Performance Practice,
New England Conservatory,
Boston, USA/Online
————–
June 16 to 25, 2021
Composer in Residence at Summer Institute for Contemporary Performance Practice,
New England Conservatory,
Boston, USA / Online
————–
May 31, 2021
Inner for cello and piano,
performance by Louise McMonagle and Neil Georgeson,
London, UK
————–
May 28, 2021
Royal College of Music (Kungliga Musikhögskolan) & Online,
Stockholm, Sweden
————–
May 5, 2021
surface station #2: the relighting of the sun for double-bell trumpet with electronic sculpture and video,
performance by Callum G’Froerer, video by Sabina Maselli,
Primrose Potter Salon,
Melbourne Recital Centre, Australia
————–
March 12, 2021
Visiting Artist of Composition Seminars,
Royal Academy of Music, London,
England / Online
————–
February 12, 2021
Guest Presenter at Webinar on ‘Re-Making the Creative Arts Canon, Re-Imagining the Creative Arts Curriculum’
The National Forum for the Enhancement of Teaching and Learning in Higher Education, Ireland
National University of Ireland Galway / Online
————–
February 12, 2021
where cobalt waves live for piano,
performed by Daniel Browell/Hard Rain Ensemble,
Going Solo: Online Concert,
Northern Ireland / Online
————–
November 16-18, 2020
Guest Composer at The University at Buffalo,
Online / New York State, USA
————–
November 14, 2020 – POSTPONED
mire|…|veins for brass quintet,
performed by Ensemble Apparat,
Luxembourg
————–
November 13, 2020
93 million miles away for violin, cello, and piano,
performed by Riot Ensemble,
Vienna, Austria
————–
October 25, 2020 – POSTPONED
Premiere of now we see through a glass for choir,
Presented by Music for Galway & Galway 2020,
St Nicholas’ Collegiate Church & streamed online,
Galway, Ireland
————–
October 16, 2020
Guest on Line upon Line’s Composer Talks,
Texas, USA/ Online
————–
October 13, 2020
Guest on Yarn/Wire’s Feedback Series,
marking Yarn/Wire’s 15th Anniversary,
New York/ Online
————–
October 3, 2020
Inner for violin and piano,
performance by Sarah Saviet and Joseph Houston,
KM28,
Berlin, Germany
————–
September 19, 2020
where cobalt waves live for piano,
performed by Mabel Kwan,
In the Key of Now: Online Concert,
Chicago, USA/ Online at 7.30pm CDT
————–
September 18, 2020
New work,
inspired by Birr Castle’s Spiral Nebula Walk,
developed in collaboration with Fiona Breen, Mary Cooney Power, and Brendan Farrell,
Culture Night 2020 Online
————–
June 21 – July 2, 2020
Guest Composition Faculty at Yarn/Wire Institute,
Online/Stony Brook University,
New York, USA
————–
June 28, 2020 – POSTPONED
Premiere of a New Choral work,
Music for Galway 2020,
St Nicholas’ Collegiate Church,
Galway, Ireland
————–
June 14, 2020 – POSTPONED
93 million miles away for violin, cello, and piano,
performed by The Fidelio Trio,
National Sawdust,
New York, USA
————–
June 7, 2020 – POSTPONED
93 million miles away for violin, cello, and piano,
performed by Riot Ensemble,
St Anne’s Church, Kew,
London, UK
————–
June 6, 2020 – POSTPONED
93 million miles away for violin, cello, and piano,
performed by Riot Ensemble,
York, UK
————–
June 5, 2020 – POSTPONED
93 million miles away for violin, cello, and piano,
performed by Riot Ensemble,
Salisbury International Arts Festival,
Salisbury, UK
————–
May 23, 2020 – POSTPONED
Inner for cello and piano,
performance by The Hard Rain Ensemble,
Harty Room, Queens University,
Belfast, Northern Ireland
————–
May 19, 2020 – POSTPONED
Inner for violin and piano,
performance by Sarah Saviet and Joseph Houston,
Berlin, Germany
————–
May 15th, 2020
Hochschule der Künste,
Bern, Switzerland
————–
April 30th, 2020 – POSTPONED
Inner for violin and piano,
International Society for Contemporary Music Festival (ISCM),
New Zealand
————–
April 24, 2020 – POSTPONED
Inner for cello and piano,
performance by hand werk,
Rheinsberg, Germany
————–
April 16, 2020 – POSTPONED
Inner for violin and piano,
performance by Austin Wulliman/Dal Niente,
Chicago, USA
————–
April 3 & 4, 2020 – POSTPONED
Guest Composer of In.Nova Fert,
G. B. Martini Conservatory,
Bologna, Italy
————–
March 12, 2020 – POSTPONED
Ceo|Glór|Eitilt for baritone and piano,
premiere by Gavan Ring & Louise Thomas,
Tionscadal na nAmhrán Ealaíne Gaeilge/ Irish Language Art Song Project
National Concert Hall,
Dublin, Ireland
————–
March 10, 2020
Inner for violin and piano,
performance by Sarah Saviet and Joseph Houston,
Sussex University,
Brighton, UK
————–
February 28, 2020
surface station #1: in the upper atmosphere for extended French horn solo,
performance by Samuel Stoll,
Baden, Switzerland
————–
February 25, 2020
Inner for violin and piano,
performance by Austin Wulliman & Conrad Tao,
New York, USA
————–
January 28, 2020
Inner for cello and piano,
performance by hand werk,
Institut für Neue Musik der Musikhochschule Freiburg,
Freiburg, Germany
————–
January 4 & 5, 2020
New Music Days,
Gdansk, Poland
————–
December 15, 2019
eyam i (it takes an ocean not to) for Bb Clarinet,
performed by Ji Eun Kim of Contemporary Insights Ensemble,
Museum der bildenden Künste
Leipzig, Germany
————–
December 13, 2019
Inner for violin and piano,
performance by Sarah Saviet and Joseph Houston,
Zuhören #4: Climate change and democracy – From complexity to action,
Sasha Waltz & Guests,
Radial System,
Berlin, Germany
————–
December 12, 2019
Inner for cello and piano,
performance by hand werk,
Kunststation St. Peter,
Cologne, Germany
————–
December 2 & 3, 2019
Guest Composer at Escola Superior de Música de Catalunya,
Barcelona, Spain
————–
November 15, 2019
Huddersfield Contemporary Music Festival Portrait Concert, programme to include:
on magnetic fields for two violins and loudspeaker;
teeth of light, tongue of waves for soprano and bassoon duo with strings;
eyam iv (Pluto’s farthest moons) for contrabass flute, spatialised ensemble, and electronics,
performed by The Riot Ensemble, conducted by Aaron Holloway Nahum,
Town Hall,
Huddersfield, England
————–
October 27, 2019
Dublin, Ireland
————–
October 26, 2019
Belfast, UK
————–
October 24, 2019
Musikfabrik Portrait Concert, programme to include:
mire |…| veins for brass quintet;
ore for clarinet and string trio;
eöl for percussion solo with cl, sax, acc, vc, db;
on magnetic fields for a large ensemble divided into three chamber groups,
performed by Musikfabrik, conducted by Enno Poppe,
Cologne, Germany
————–
September 14, 2019
launch of CrashLands,
including a recording a fiáin,
Kino Cinema,
Cork, Ireland
————–
August 3, 2019
New York, USA
————–
September 20, 2016
Dorchadas for large ensemble,
performed by The Crash Ensemble,
Composing the Island: A Century of Music in Ireland 1916-2016,
National Concert Hall,
Dublin, Ireland
————–
August 6, 2016
Guest Discussant with Roger Reynolds,
Lecture on Shaping Form and Content by Boundary Conditions: Flexible Opportunity, not Rigid Obligation; Principled behavior, not Rigor,
International Music Institute Darmstadt,
Germany
————–
July 24, 2016
Guest Panelist with Frederic Rzewski, Grainne Mulvey, Kevin O’Connell, and Martin O’Leary,
Seminar on Can Music Change the World?
Dublin International Piano Festival,
Mart Gallery, Dublin, Ireland
————–
July 1, 2016
luna (the eye that opens the other eye) for solo alto saxophone,
performed by David Wegehaupt & null point,
Hallwalls Contemporary Arts Centre,
Buffalo, USA
————–
July 1, 2016
eyam iii (if it’s living somewhere outside of you) for solo bass flute,
performance by Laura Cocks,
Trans Pecos,
New York, USA
————–
June 24, 2016
rinn, chamber opera, directed by Thierry Bruehl,
Ensemble Garage, conducted by Mariano Chiacchiarini,
Musiktheater im Revier,
Gelsenkirchen, Germany
————–
June 18, 2016
rinn, chamber opera, directed by Thierry Bruehl,
Ensemble Garage, conducted by Mariano Chiacchiarini,
Theater Solingen,
Solingen, Germany
————–
June 7, 2016
the square of yellow light that is your window for quartet,
performance by Vertixe Sonore,
Sala Emilia Pardo Bazán, Edificio de Ferro do Campus de Ourense da UVigo,
Ourense, Spain
————–
June 3, 2016
eyam iii (if it’s living somewhere outside of you) for solo bass flute,
performance by Lina Andonovska,
AIC concert, curated by Karen Power,
12 Henrietta St,
Dublin, Ireland
————–
May 25, 2016
unable to create an offscreen world (c) for quintet
performance by TAK Ensemble,
Roulette,
New York, USA
————–
May 21, 2016
ore for clarinet and string trio
premiere by ensemble recherche,
Paine Hall, Harvard Music Department,
Boston, USA
————–
Apr 19, 2016
eyam iii (if it’s living somewhere outside of you) for solo bass flute shadowed by one low wind instrument and one string instrument
performance by Laura Cocks, Liam Kinson, Marina Kifferstine,
Elebash Recital Hall, CUNY,
New York, USA
————–
April 7-9, 2016
Guest Composer at Music Current organised by Dublin Sound Lab
a new festival showcasing Irish electronic music and contemporary international repertoire,
Smock Alley Theatre and Contemporary Music Centre, Dublin,
information and call for participation can be found here: https://www.dublinsoundlab.ie/music_current/
————–
Feb 15-18, 2016
Guest at Campus Musikfabrik,
workshops and presentations with the musicians of Ensemble Musikfabrik,
Cologne, Germany
————–
Dec 18, 2015
luna|lithe|lair for ensemble and eyam iii (if it’s living somewhere outside of you) for bass flute,
performance by ensemble mosaik and Bettina Junge,
Kunstquartier Bethanien,
Berlin, Germany
————–
Dec 17, 2015
luna|lithe|lair for ensemble and eyam iii (if it’s living somewhere outside of you) for bass flute,
performance by ensemble mosaik and Bettina Junge,
Kunstquartier Bethanien,
Berlin, Germany
————–
Dec 10, 2015
Presentation on recent works,
Music Department of Maynooth,
Kildare, Ireland
————–
Nov 26, 2015
phôsphors (…of ether) for orchestra,
performed by The BBC Scottish Symphony Orchestra, conducted by Ilan Volkov,
City Hall,
Glasgow, Scotland
————–
Nov 21, 2015
Multiple Personality Disorder for saxophone and electronics,
performed by Gavin Brennan and Dublin Sound Lab,
Graphic Print Studio, Temple Bar,
Dublin, Ireland
————–
Nov 6-8, 2015
Guest Composer at NUNC!2,
presentations, teaching, concert performances, to include a performance of on magnetic fields for large ensemble,
performed by The School of Music’s Contemporary Music Ensemble, conducted by Ben Bolter,
Northwestern University,
Chicago, USA
————–
Oct 25, 2015
Portrait Concert of recent works alongside the music of Timothy McCormack:
Body Matter for bassoon, performed by Chris Watford
Disfix for trio, performed by William Lang, Adrian Sandi, and Andy Kozar
here is a sequence of signs, each having a sound and a meaning for trombone, performed by William Lang
eyam iii (if it’s living somewhere outside of you) for bass flute, premiere by Richard Craig
to another of that other for trio, performed by William Lang, Adrian Sandi, and Andy Kozar
Paranoid Oneiroid for trombone, performed by William Lang
Spectrum Series,
New York, USA
————–
Oct 24, 2015
eyam i (it takes an ocean not to) for Bb Clarinet,
performed by Richard Haynes,
HGNM Residency,
Paine Hall, Harvard Music Department,
Boston, USA
————–
Oct 19, 2015
HGNM Colloquium on recent work,
Davidson Room,
Harvard Music Department,
Boston, USA
————–
Oct 3, 2015
mire|…|veins for brass quintet,
performed by Ensemble Apparat,
Ensemblekollectiv Berlin,
Akademie der Künste, Berlin
————–
Sept 29, 2015
rinn, a chamber opera, directed by Thierry Bruehl,
Taschenopernfestival, Klang 21,
ARGEkultur,
Salzburg, Austria
————–
Sept 25, 2015
rinn, a chamber opera, directed by Thierry Bruehl,
Taschenopernfestival, Klang 21,
ARGEkultur,
Salzburg, Austria
————–
Sept 24, 2015
rinn, a chamber opera, directed by Thierry Bruehl,
Taschenopernfestival, Klang 21,
ARGEkultur,
Salzburg, Austria
————–
Sept 18, 2015
rinn, a chamber opera, directed by Thierry Bruehl,
Taschenopernfestival, Klang 21,
ARGEkultur,
Salzburg, Austria
————–
Sept 17, 2015
rinn, a chamber opera, directed by Thierry Bruehl,
Taschenopernfestival, Klang 21,
ARGEkultur,
Salzburg, Austria
————-
Sept 16, 2015
rinn, a chamber opera, directed by Thierry Bruehl, dramaturgy by Hans-Peter Jahn,
Singers/Actors: Annika Boos, Soetkin Elbers, Klaus-Nicola Holderbaum, Constanze Passin, Philine Passin,
österreichisches ensemble für neue musik, conducted by Juan Garcia Rodriques,
Taschenopernfestival, Klang 21,
ARGEkultur,
Salzburg, Austria
————–
May 3, 2015
luna (the eye that opens the other eye) for alto saxophone solo,
performed by Ryan Muncy,
(con)temporary (in)sights, Spectrum,
New York, USA
————-
April 18, 2015
eöl for percussion solo with cl, sax, acc, vc, db,
premiere by Alex Lipowski and Talea Ensemble,
MATA Festival, The Kitchen,
New York, USA
————-
April 17, 2015
unable to create an offscreen world for pre-recorded electronics,
Festival [ex nihilo], El Esfuerzo,
Aguascalientes, Mexico
————-
April 12, 2015
eyam i (it takes an ocean not to) for Bb Clarinet,
Performed by Carlos Cordeiro,
Spectrum Series,
New York, USA
————-
January 18, 2015
Dysmorphia for viola and cello,
performed by Ensemble Chartreuse,
Taszo Espresso Bar,
New York, USA
————-
January 8, 2015
Dysmorphia for viola and cello,
performed by Ensemble Chartreuse,
The Bop Stop,
Cleveland, USA
————-
November 28, 2014
eyam iv (Pluto’s farthest moons) for contrabass flute, spatialised ensemble, and electronics,
cbfl, [vla, vc], [perc], [gt], [ob], [bcl], [tba, db], and electronics (The EXPERIMENTALSTUDIO Freiburg des SWR),
premiere by Richard Craig (cbfl) and The Experimental Ensemble: Andrea Nagy (bcl), Pilar Fontalba (ob), Max Murray (tba), Klara Tomljanovic (gt), Olaf Tzschoppe (perc), Jessica Rona (vla), Daniela Shemar (vc), Johannes Nied (db), conducted by Detlef Heusinger, electronics directed by Simon Spillner
IMATRONIC, Festival of Electronic Music, ZKM,
Karlsruhe, Germany
————-
November 27, 2014
luna (the eye that opens the other eye) for alto saxophone solo,
premiere by Patrick Stadler,
Popakademie,
Mannheim, Germany
————-
November 22, 2014
luna|lithe|lair for ensemble,
premiere by ensemble mosaik,
Bludenzer Tage zeitgemäßer Musik
Bludenz, Austria
————-
November 15, 2014
I should live in wires for leaving you behind for piano and percussion
performance by Yarn/Wire,
EMPAC,
Troy, USA
————-
October 9, 2014
I should live in wires for leaving you behind for piano and percussion
premiere by Yarn/Wire,
Issue Project Room,
New York, USA
————-
August 12, 2014
to another of that other for Tpt, Tbn, and Cls
performance in Chamber Sessions by Paul Hübner, Weston Olencki, and Carlos Cordeiro
International Music Institute Darmstadt (IMD),
Germany
————-
August 6, 2014
anchor me to the land for ensemble
Premiere by The Curious Chamber Players,
International Music Institute Darmstadt (IMD),
Orangerie, Darmstadt,
Germany
————-
May 22, 2014
eyam i (it takes an ocean not to) for Bb Clarinet,
Performed by Heather Roche,
Galleri Oxholm, Copenhagen,
Denmark
————-
May 17, 2014
to another of that other for Bcl/Cl, Tbn, and Tpt,
Performed by ELISION Ensemble,
Paine Hall, Harvard University,
Boston
————-
May 11, 2014
eyam i (it takes an ocean not to) for Bb Clarinet,
Performed by Carol McGonnell (Argento Chamber Ensemble),
The Austrian Cultural Forum,
New York
————-
May 9, 2014
eyam i (it takes an ocean not to) for Bb Clarinet,
Performed by Carol McGonnell (Argento Chamber Ensemble),
The Austrian Cultural Forum,
New York
————-
May 9, 2014
eyam i (it takes an ocean not to) for Bb Clarinet,
Performed by Heather Roche,
Clothworkers Centenary Concert Hall,
University of Leeds International Concert Series, UK
————-
April 8, 2014
A presentation on recents works, and a performance of
unable to create an offscreen world (b) for piccolo and percussion
Performed by Rachel Beetz and Dustin Donahue,
UCSD Music Department,
San Diego
————-
April 5, 2014
the square of yellow light that is your window for a.sax, e.gt, perc, pf,
Premiere by Ensemble Nikel,
Paine Hall, Harvard University,
Boston
————-
March 19, 2014
to another of that other for cl(s), tpt, tbn,
Performed by ELISION,
Carriageworks, 245 Wilson St, Sydney,
Australia
————-
March 9, 2014
unable to create an offscreen world (b) for piccolo and percussion,
Performed by Rachel Beetz and Dustin Donahue,
UC San Diego CPMC Concert Hall,
San Diego
————-
March 5, 2014
eyam i (it takes an ocean not to) for Bb Clarinet,
Premiere by Carol McGonnell,
Moving On Music, Night Music,
Belfast
————-
July 4, 2013
unable to create an offscreen world (b) for piccolo and percussion
Concert of Irish music curated by Siobhán Cleary
Soundscape Festival
Maccagno, Italy
————-
June 27, 2013
Premiere of mire|…|veins for brass quintet
Performed by Ensemble Apparat
Villa Elisabeth, Berlin
more info: https://ensembleapparat.com/konzerte/
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March 6, 2013
Carta Bianca ai Giovani curated by /nu/thing
unable to create an offscreen world (c) for quintet
Performed by Divertimento Ensemble
Auditorium del Gruppo 24 Ore, Milan
Italy
————-
February 28, 2013
moil for string quartet
Performed by The JACK Quartet
Paine Hall, Harvard University
————-
February 15, 2013
to another of that other for trumpet, trombone, and bass clarinet
Performed by ELISION
Aula Maxima, University College Cork, Ireland
more info: https://www.music.ucc.ie/expression/images/uploads/fuaim-spring2013.pdf
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February 12, 2013
Paranoid Oneiroid for Trombone and Electronics
Performed by Benjamin Marks, ELISION
Kevin Barry Room, National Concert Hall, Dublin
more info: go to calendar on https://www.nch.ie
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February 12, 2013
National Concert Hall, Dublin
A curated concert of orchestral music for the National Symphony of Ireland’s Horizons Series
Ann Cleare phôsphors (…of ether) for orchestra, [13’] ,World Premiere
Xenakis Metastaseis (B) for orchestra, [10’], Irish Premiere
Ann Cleare to another of that other for bcl, tpt, tbn, and orchestra, [16’], World Premiere
Conductor: Gavin Moloney
Soloists: ELISION, Richard Haynes (bcl), Benjamin Marks (tbn), Tristram Williams (tpt)
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January 9, 2013
Preview of eyam i for clarinet
Performed by Carol McGonnell
The Stone
New York
————-
October 13, 2012
unable to create an offscreen world (b) for piccolo and percussion
Performed by The Argento Chamber Ensemble
Paine Hall, Harvard University
————-
September 21, 2012
‘Happening’, Culture Night, curated by Karen Power
GULAH for pre-recorded electronics
The Contemporary Music Centre, Dublin
Ireland
————-
August 30, 2012
Contemporary Music Centre Summer Series
IRK for viola
Performed by Lisa Dowling
The Exchange, Dublin,
Ireland
————-
July 16, 2012
Internationales Musikinstitut Darmstadt (IMD)
moil for string quartet
Reading session with The Arditti Quartet
Darmstadt, Germany
————-
May 14, 2012
on magnetic fields
for large ensemble divided into three chamber groups
performed by Collegium Novum Zürich
Tonhalle Zürich
Switzerland
————-
April 29, 2012
Wittener Tage für neue Kammermusik
on magnetic fields
for large ensemble divided into three chamber groups
performed by Collegium Novum Zürich
Theatersaal, Witten
Germany
————-
March 23, 2012
Harvard Blodgett Residency
moil for string quartet
performed by The Chiara String Quartet
Paine Hall, Harvard University
————-
March 8, 2012
MATA Interval Concert curated by Christopher Trapani
I am not a clockmaker either for accordion and electronics
Performed by Bill Schimmel
Issue Project Room, Brooklyn,
New York