events

November 9, 2018

Visual Resonance, 

collaboration with ensemble mosaik and visual artist Margrét H. Blöndal,

Kunstquartier Bethanien,

Berlin, Germany

————–

November 4, 2018

Visual Resonance, 

collaboration with ensemble mosaik and visual artist Margrét H. Blöndal,

Listasafn Kópavogs – Gerðarsafn,

Reykjavik, Iceland

————–

October 28, 2018

eyam iii (if it’s living somewhere outside of you) for solo bass flute and shadowing instruments,

performance by Helen Bledsoe and Musikfabrik,

WDR Funkhaus am Wallrafplatz,

Kemp Recital Hall,

Cologne, Germany

————–

October 13, 2018

eyam iv (Pluto’s farthest moons) for contrabass flute, spatialised ensemble, and electronics,

performance by Ensemble CAPUT, Kolbeinn Bjarnason on solo contrabass flute, conducted by Aaron Holloway-Nahum, 

HARPA Concert Hall,

Reykjavik, Iceland

————-

September 30, 2018

I should live in wires for leaving you behind for piano and percussion,

performance by Gageego Ensemble,

Gothenburg Concert Hall,

Gothenburg, Sweden

————–

September 26, 2018

I am not a clockmaker either for piano and electronics, 

performance by Stephan Ginsburgh,

Columbia Sounds Concert Series,

Columbia Global Center, Reid Hall,

Paris, France

————–

September 16, 2018

surface station #2: the relighting of the sun for double-bell trumpet with electronic sculpture and lights,

performance by Callum G’Froerer, 

PROGR Foundation

Berne, Switzerland

————–

September 7, 2018

new work for solo trombone, vocal ensemble, and electronics, 

William Lang and Ekmeles Vocal Ensemble,

DiMenna Centre,

New York, USA

————–

September 4, 2018

ore for clarinet and string trio,

performance by Ensemble Contrechamps,

Temple de Carouge,

La Bâtie – Festival de Genève

Geneva, Switzerland

————–

July 19, 2018

performance of Dorchadas for large ensemble,

performance by Festival Ensemble,

SoundSCAPE,

Cesena, Italy

————–

July 16, 2018

the square of yellow light that is your window for quartet,

performance by Ensemble Nikel,

Darmstadt International Courses for New Music

Darmstadt, Germany

————–

July 9-13, 2018

Irish Artist-in-Residence at SoundSCAPE Festival, Italy

Curation:

Surrealist Voices from Ireland: works from Roger Doyle, Elis Czerniak, Jennifer Walshe, Donnacha Dennehy, Karen Power/Lance Olsen, Gráinne Mulvey, Atoosa Pour Hosseini. More details here

Presentations:

  1. eyam i-v: a series of five attacca pieces composed by Ann Cleare from 2008 to 2017, spanning over two hours of music, based around clarinet and flute writing in various solo, ensemble, electronic and orchestral settings. Eyam is a small village in Derbyshire, England. The village is best known for being the “plague village” that chose to isolate itself when the plague was discovered there in August 1665, rather than let the infection spread. In the eyam cycle, the village stands as a metaphor for ideas of isolation and infiltration that are sonically explored across the pieces. This presentation will have live performances from Hila Zamir and Lisa Cella. 
  2. Surrealist Influences in Music from Ireland: looking at the work of Irish artists Leonora Carrington, Flann O’Brien, Eileen Gray, Louis le Brocquy, Olwyn Fouéré, Alice Maher, Amanda Coogan, and the connections of their work to recent Irish Experimental Music.

SoundSCAPE Festival,

Cesena, Italy

————–

June 26, 2018

I am not a clockmaker either for piano and electronics, 

performance by Keith Kirchoff,

SPLICE Festival

Western Michigan University,

Kalamazoo, USA

————–

June 25, 2018

eyam iii (if it’s living somewhere outside of you) for solo bass flute, 

performance by Roberta Michel,

Ensemble Infuse Présente,

La Générale Nord-Est,

Paris, France

————–

June 17, 2018

eyam i (it takes an ocean not to) for Bb Clarinet,

performed by Carol McGonnell,

Great Music in Irish Houses,

Dublin, Ireland

————–

June 14, 2018

on magnetic fields for two violins and one loudspeaker,

performed by Riot Ensemble,

Goldsmiths University,

London, UK

————–

June 11, 2018

the square of yellow light that is your window for quartet,

performance by Nief Norf,

The Nief-Norf Summer Festival (nnSF),

Natalie L. Haslam Music Center, 

Knoxville, USA

————–

June 9, 2018

Inner for cello and piano,

performance by The Curious Chamber Players,

Silence Festival,

Lapland, Finland

————–

May 26 & 27, 2018

where cobalt waves live for solo piano,

premiere by various participants of Dublin International Piano Competition,

National Concert Hall,

Dublin, Ireland

————–

May 12, 2018

eyam iii (if it’s living somewhere outside of you) for solo bass flute and shadowing instruments,

performance by Laura Cocks/TAK,

Qubit’s Innovator Lab series,

Project Q, 1850 Amsterdam Ave,

New York, USA

————–

May 10, 2018

93 million miles away for violin, cello, and piano,

workshop/performance by The Fidelio Trio,

Rymar Auditorium,

University of York, UK

————–

May 7, 2018

the square of yellow light that is your window for quartet,

I am not a clockmaker either for accordion and electronics, 

performance by Ensemble Nikel & Krassimir Sterev,

Felica Blumental Festival,

Museum of Art,

Tel Aviv, Israel

————–

April 27, 2018

I am not a clockmaker either for accordion and electronics, 

performance by Krassimir Sterev,

GNOM Concert Series

Historischen Museum,

Baden, Switzerland

————–

April 22, 2018

One Here Now: A Sonic Theatre,

performance by Tonnta Music,

Sirius Arts Centre Commission,

Cobh, Ireland

————–

April 21, 2018

One Here Now: A Sonic Theatre,

premiere by Tonnta Music,

Sirius Arts Centre Commission,

Cobh, Ireland

————–

April 14, 2017

I should live in wires for leaving you behind for piano and percussion,

performance by Yarn/Wire,

Dublin Sound Lab’s Music Current Festival

Smock Alley Theatre,

Dublin, Ireland

————–

April 13, 2017

Guest Panelist with Sven Anderson, Xenia Pestova, Stefan Prins, and Adrian Smith, moderated by Evonne Ferguson,

‘Are we there yet?’: discussion on current composition trends, performance practice, critical perspectives, and new directions as part of Dublin Sound Lab’s Music Current Festival

The Contemporary Music Centre,

Dublin, Ireland

————–

April 5, 2018

ore for clarinet and string trio,

performance by ensemble mosaik,

Akademie für Tonkunst

Darmstadt, Germany

————–

April 4, 2018

the square of yellow light that is your window for quartet,

performance by Ensemble Nikel,

Contemporary Music Festival Nauriz 21

Almati, Kazakhstan

————–

March 28, 2018

eyam iii (if it’s living somewhere outside of you) for solo bass flute and shadowing instruments,

performance by Laura Cocks/Dal Niente,

RED NOTE New Music Festival,

Kemp Recital Hall,

Illinois, USA

————–

March 2, 2018

93 million miles away for violin, cello, and piano,

performance by The Fidelio Trio,

New Music Dublin

National Concert Hall, 

Dublin, Ireland

————–

March 1, 2018

Miller Theatre Composer Portrait, programme to include:

Dorchadas for large ensemble;

the square of yellow light that is your window for quartet;

teeth of light, tongue of waves for soprano and bassoon duo with strings;

to another of that other for a trio of trumpet, trombone, clarinet, and large ensemble;

performed by The International Contemporary Ensemble, conducted by Steve Schick,

Miller Theatre at Columbia University,

New York, USA

————–

February 28, 2018

presentation on recent work,

Department of Music, Columbia University,

New York, USA

————–

February 27, 2018

surface station #2: the relighting of the sun for double-bell trumpet with electronic sculpture and lights,

performance by Callum G’Froerer, 

Unerhörte Musik,

Berlin, Germany

————–

February 24, 2018

the square of yellow light that is your window for quartet,

performance by The International Contemporary Ensemble,

Frequency Festival at Constellation Chicago,

Chicago, USA

————–

February 6, 2018

launch of new music::new Ireland three CD

including a recording a eyam v (woven),

Irish Embassy,

London, UK

————–

January 20, 2018

the square of yellow light that is your window for quartet,

performance by Ensemble Nikel,

Ultraschall Festival,

Berlin, Germany

————–

January 10, 2018

luna (the eye that opens the other eye) for solo alto saxophone,

performed by Nicole Strum,

Mount Allison University,

New Brunswick, Canada

————–

December 17, 2017

ore for clarinet and string trio,

performance by ensemble mosaik,

Kunstraum,

Tosterglope, Germany

————–

November 29, 2017

93 million miles away for violin, cello, and piano,

performance by LONGLEASH Trio,

Bailey Powell Elebash Recital Hall @ CUNY,

New York, USA

————–

November 26, 2017

eyam iii (if it’s living somewhere outside of you) for solo bass flute and two shadowing instruments,

performance by Kamraton,

Irma Freeman Center for Imagination,

Pittsburgh, USA

————–

November 25, 2017

the square of yellow light that is your window for quartet,

performance by Ensemble Nikel,

Huddersfield Contemporary Music Festival,

Yorkshire, England

————–

November 24, 2017

fiáin for violin, viola, cello, electric guitar, and electric bass guitar,

performance by Crash Ensemble,

CrashLands at The National Concert Hall,

Dublin, Ireland

————–

November 18, 2017

I should live in wires for leaving you behind for piano and percussion,

performance by Yarn/Wire,

Rainy Days Festival

Luxembourg

————–

November 16, 2017

the square of yellow light that is your window for quartet,

performance by Ensemble Nikel,

Bludenzer Tage zeitgemäßer Musik,

Bludenz, Austria

————–

November 12, 2017

ore for clarinet and string trio,

performance by ensemble mosaik,

Klangwerkstatt Berlin, Festival für Neue Musik,

Berlin, Germany

————–

November 4, 2017

luna (the eye that opens the other eye) for solo alto saxophone,

performed by Ryan Muncy/International Contemporary Ensemble,

OpenICE at Corbett vs. Dempsey Gallery,

Chicago, USA

————–

November 3, 2017

ore for clarinet and string trio,

performance by ensemble mosaik,

Traiettorie Festival,

Parma, Italy

————–

November 2, 2017

surface station #2: the relighting of the sun for double-bell trumpet with electronic sculpture and lights,

performance by Callum G’Froerer, 

Abbotsford Convent,

Melbourne, Australia

————–

November 1, 2017

surface station #2: the relighting of the sun for double-bell trumpet with electronic sculpture and lights,

performance by Callum G’Froerer, 

la la la concert series,

Sydney, Australia

————–

October 31, 2017

surface station #2: the relighting of the sun for double-bell trumpet with electronic sculpture and lights,

performance/presentation by Callum G’Froerer, 

Sydney Conservatorium of Music,

Sydney, Australia

————–

October 28, 2017

surface station #2: the relighting of the sun for double-bell trumpet with electronic sculpture and lights,

Australian Premiere with Callum G’Froerer, 

Totally Huge New Music Festival,

Perth, Australia

————–

October 26, 2017

fiáin for violin, viola, cello, electric guitar, and electric bass guitar,

performance by Crash Ensemble,

GAIDA – Vilnius Festival,

Šiuolaikinio meno centras,

Vilnius, Lithuania

————–

October 26, 2017

surface station #2: the relighting of the sun for double-bell trumpet with electronic sculpture and lights,

workshop/presentation with Callum G’Froerer, 

University of Western Australia,

Perth, Australia

————–

October 21, 2017

I should live in wires for leaving you behind for piano and percussion,

performance by Yarn/Wire,

Transit Festival,

Leuven, Belgium

————–

October 18, 2017

93 million miles away for violin, cello, and piano,

performance by LONGLEASH Trio,

KUG Florentienersaal, 

Graz, Austria

————–

October 14, 2017

surface station #2: the relighting of the sun for double-bell trumpet with electronic sculpture and lights,

premiere with Callum G’Froerer,

Mehrzweckhalle, Flutgraben V, 

Berlin, Germany

————–

September 21, 2017

to another of that other for clarinet(s), trumpet, and trombone,

performance by ELISION,

Shanghai New Music Week,

Shanghai Conservatory of Music, China

————–

September 20, 2017

eyam iii (if it’s living somewhere outside of you) for solo bass flute,

performance by Bettina Junge/ensemble mosaik, 

Visual Resonance at Cycle Music and Art Festival, 

Gerðarsafn – Kópavogur Art Museum,

Kópavogur, Iceland

————–

August 12, 2017

eyam iii (if it’s living somewhere outside of you) for solo bass flute,

performance by Richard Craig,

Kalv Festival,

Gothenburg, Sweden

 ————–

August 11, 2017

ore for clarinet and string trio,

performance by Distractfold,

Kalv Festival,

Gothenburg, Sweden

 ————–

July, 2017

Guest Composer at The Irish Composition Summer School,

DIT Conservatory of Music and Drama,

Dublin, Ireland

 ————–

July 2, 2017

eyam iii (if it’s living somewhere outside of you) for solo bass flute,

performance by Bettina Junge/ensemble mosaik,

mosaik 20th Birthday Celebrations,

Acker Stadt Palast,

Berlin, Germany

————–

June 27, 2017

IRK for violin and electronics,

performance by Aysel Taghi-Zada & Jenn Kirby,

soundSCAPE Festival,

Maccagno, Italy

————–

June 13, 2017

the square of yellow light that is your window for quartet,

performance by oh ton-ensemble,

BIS-Saal Universität,

Oldenburg, Germany

————–

June 6, 2017

luna (the eye that opens the other eye) for solo alto saxophone,

performed by Ryan Muncy/International Contemporary Ensemble,

Miller Theatre at Columbia University,

New York, USA

————–

June 4, 2017

fiáin for violin, viola, cello, electric guitar, and electric bass guitar,

premiere by Crash Ensemble,

CrashLands at Mountshannon Arts Festival,

East Clare, Ireland

————–

May 27, 2017

the square of yellow light that is your window for quartet,

performance by Ensemble Nikel,

Adevantgarde Festival,

Black Box, Gasteig,

Munich, Germany

————–

May 22, 2017

unable to create an offscreen world (b) for piccolo and percussion,

performance by Lina Andonovska and Alex Petcu Colan,

Lutheran Hall,

Dublin, Ireland

————–

May 15-19, 2017

Guest Composer at DJBFA Composition Course,

Engelsholm Castle,

Bredsten, Denmark

————–

April 28, 2017

4 x 4 miniature for two French Horns and two Trombones,

performed by Samuel Stoll, Adrian Städeli, Stephen Menotti, and Jon Roskilly, 

Geben Sie Zeit Räume, Kantonsbibliothek Baselland, 

Liestal, Switzerland

 ————–

 April 13, 2017

eyam i (it takes an ocean not to) for solo Bb Clarinet,

performed by Kathryn Vetter,

School of Music,

University of Oklahoma, USA

————–

April 9-13, 2017

Invited Artist at The CultureSummit Abu Dhabi 2017: https://www.culturesummitabudhabi.com,

Manarat Al Saadiyat, 

Abu Dhabi, United Arab Emirates

————–

April 7, 2017

the square of yellow light that is your window for quartet,

performance by The International Contemporary Ensemble,

Williams College,

Massachusetts, USA

————–

April 6, 2017

eyam iii (if it’s living somewhere outside of you) for solo bass flute and two shadowing instruments,

performance by Laura Cocks & TAK,

Niente/Forte Festival at Tulane University,  

New Orleans, USA

————–

March 23, 2017

Guest Panelist with David Agler, Siobhán Cleary, Michael Dervan, Sylvia O’Brien, chaired by Kathleen Tynan,

on New Opera in Ireland in the 21st Century,

The Contemporary Music Centre,

Dublin, Ireland

————–

March 7, 2017

colloquium on recent work,

CeReNeM, Centre for Research in New Music,

University of Huddersfield, UK

————–

March 6, 2017

luna (the eye that opens the other eye) for solo alto saxophone,

performed by Casey Grev,

Centre for New Music,

San Francisco, USA

 ————–

February 18, 2017

Inner for cello and piano,

performance by Duo TÖ, Anna Christensson and Torun Sæter Staving,

Förstaparkett,

Stockholm, Sweden

————–

February 14, 2017

eyam v (woven) for contrabass flute, contrabass clarinet, and orchestra,

premiered by soloists Richard Craig and Carol McGonnell, and the RTÉ National Symphony Orchestra conducted by Gavin Maloney,

National Concert Hall,

Dublin, Ireland

————–

January 27, 2017

eyam i (it takes an ocean not to) for Bb Clarinet,

performed by Carol McGonnell,

The Barnes Collection,

Philadelphia, USA

————–

January 24, 2017

presentation on recent work,

cmrc, Contemporary Music Research Centre,

University of York, UK

————–

January 10, 2017

presentation on recent work with Samuel Stoll and Max Murray,

Musik-Akademie Basel – Hochschule für Musik,

Basel, Switzerland

————–

January 9, 2017

surface station #1: in the upper atmosphere for extended French horn solo,

premiere by Samuel Stoll, 

Dialog Series, Gard du Nord, 

Basel, Switzerland

————–

December 16 & 17, 2016

eyam iii (if it’s living somewhere outside of you) for solo bass flute,

performance by Lina Andonovska,

Tokyo Experimental Festival (TEF), 

Tokyo Wonder Site Hongo, Japan

————–

December 5, 2016

I am not a clockmaker either for harpsichord and electronics,

performed by Michael Quinn & Dublin Sound Lab,

Smock Alley Theatre,

Dublin, Ireland

————–

December 4, 2016

93 million miles away for violin, cello, and piano,

premiere by The Fidelio Trio,

Winter Chamber Music Festival at Belvedere House, 

Dublin, Ireland

————–

December 4, 2016

mire|…|veins for brass quintet,

performed by Brooklyn Brass Quintet,

Spectrum,

New York City, USA

————–

November 26, 2016

eyam iii (if it’s living somewhere outside of you) for solo bass flute,

performance by Bettina Junge/ensemble mosaik,

Sound Reasons Festival V,

Goethe-Institut/Max Mueller Bhavan,

New Delhi, India

————–

November 24, 2016

Dorchadas for large ensemble,

performed by Gdansk Academy Ensemble, conducted by Rei Munakata,

Academy of Music, 

Gdansk, Poland

————–

October 29, 2016

eyam ii (taking apart your universe) for contrabass clarinet solo and large ensemble,

premiere by Carol McGonnell and Argento Chamber Ensemble,

Library of Congress,

Washington, D.C., USA

————–

October 29, 2016

the square of yellow light that is your window for quartet,

performance by Vertixe Sonore,

Schlosssaal, Landesmuseum,

Oldenburg, Germany

————–

October 24, 2016

Inner for cello and piano

performance by The Curious Chamber Players,

AFEKT Festival,

Tartu, Estonia

————–

October 24, 2016

eyam i (it takes an ocean not to) for Bb clarinet &

eyam ii (taking apart your universe) for contrabass clarinet solo and large ensemble,

performance by Carol McGonnell and Argento Chamber Ensemble,

Lex54, Saint Peter’s Church,

New York, USA

————–

October 15, 2016

unable to create an offscreen world (c) for quintet,

performance by Chamber Cartel,

M. Rich Center for Creative Arts, Media and Technology,

Atlanta, USA

————–

October 13, 2016

the square of yellow light that is your window for quartet,

performance by Vertixe Sonore,

Pontevedra, Spain

————–

September 20, 2016

Dorchadas for large ensemble,

performed by The Crash Ensemble,

Composing the Island: A Century of Music in Ireland 1916-2016,

National Concert Hall,

Dublin, Ireland

————–

August 6, 2016

Guest Discussant with Roger Reynolds,

Lecture on Shaping Form and Content by Boundary Conditions: Flexible Opportunity, not Rigid Obligation; Principled behavior, not Rigor,

International Music Institute Darmstadt,

Germany

————–

July 24, 2016

Guest Panelist with Frederic Rzewski, Grainne Mulvey, Kevin O’Connell, and Martin O’Leary,

Seminar on Can Music Change the World?

Dublin International Piano Festival,

Mart Gallery, Dublin, Ireland

————–

July 1, 2016

luna (the eye that opens the other eye) for solo alto saxophone,

performed by David Wegehaupt & null point,

Hallwalls Contemporary Arts Centre,

Buffalo, USA

————–

July 1, 2016

eyam iii (if it’s living somewhere outside of you) for solo bass flute, 

performance by Laura Cocks,

Trans Pecos,

New York, USA

————–

June 24, 2016

rinn, chamber opera, directed by Thierry Bruehl, 

Ensemble Garage, conducted by Mariano Chiacchiarini,

Musiktheater im Revier,

Gelsenkirchen, Germany

————–

June 18, 2016

rinn, chamber opera, directed by Thierry Bruehl, 

Ensemble Garage, conducted by Mariano Chiacchiarini,

Theater Solingen,

Solingen, Germany

————–

June 7, 2016

the square of yellow light that is your window for quartet,

performance by Vertixe Sonore,

Sala Emilia Pardo Bazán, Edificio de Ferro do Campus de Ourense da UVigo, 

Ourense, Spain

————–

June 3, 2016

eyam iii (if it’s living somewhere outside of you) for solo bass flute,

performance by Lina Andonovska,

AIC concert, curated by Karen Power,

12 Henrietta St, 

Dublin, Ireland

————–

May 25, 2016

unable to create an offscreen world (c) for quintet

performance by TAK Ensemble,

Roulette, 

New York, USA

————–

May 21, 2016

ore for clarinet and string trio

premiere by ensemble recherche,

Paine Hall, Harvard Music Department,

Boston, USA

————–

Apr 19, 2016

eyam iii (if it’s living somewhere outside of you) for solo bass flute shadowed by one low wind instrument and one string instrument

performance by Laura Cocks, Liam Kinson, Marina Kifferstine,

Elebash Recital Hall, CUNY,

New York, USA

————–

April 7-9, 2016

Guest Composer at Music Current organised by Dublin Sound Lab

a new festival showcasing Irish electronic music and contemporary international repertoire,

Smock Alley Theatre and Contemporary Music Centre, Dublin,

information and call for participation can be found here: https://www.dublinsoundlab.ie/music_current/

————–

Feb 15-18, 2016

Guest at Campus Musikfabrik,

workshops and presentations with the musicians of Ensemble Musikfabrik,

Cologne, Germany

————–

Dec 18, 2015

luna|lithe|lair for ensemble and eyam iii (if it’s living somewhere outside of you) for bass flute,

performance by ensemble mosaik and Bettina Junge,

Kunstquartier Bethanien,

Berlin, Germany

————–

Dec 17, 2015

luna|lithe|lair for ensemble and eyam iii (if it’s living somewhere outside of you) for bass flute,

performance by ensemble mosaik and Bettina Junge,

Kunstquartier Bethanien,

Berlin, Germany

————–

Dec 10, 2015

Presentation on recent works,

Music Department of Maynooth,

Kildare, Ireland

————–

Nov 26, 2015

phôsphors (…of ether) for orchestra,

performed by The BBC Scottish Symphony Orchestra, conducted by Ilan Volkov,

City Hall,

Glasgow, Scotland

————–

Nov 21, 2015

Multiple Personality Disorder for saxophone and electronics,

performed by Gavin Brennan and Dublin Sound Lab,

Graphic Print Studio, Temple Bar,

Dublin, Ireland

————–

Nov 6-8, 2015

Guest Composer at NUNC!2,

presentations, teaching, concert performances, to include a performance of on magnetic fields for large ensemble,

performed by The School of Music’s Contemporary Music Ensemble, conducted by Ben Bolter,

Northwestern University,

Chicago, USA

————–

Oct 25, 2015

Portrait Concert of recent works alongside the music of Timothy McCormack:

Body Matter for bassoon, performed by Chris Watford

Disfix for trio, performed by William Lang, Adrian Sandi, and Andy Kozar

here is a sequence of signs, each having a sound and a meaning for trombone, performed by William Lang

eyam iii (if it’s living somewhere outside of you) for bass flute, premiere by Richard Craig

to another of that other for trio, performed by William Lang, Adrian Sandi, and Andy Kozar

Paranoid Oneiroid for trombone, performed by William Lang

Spectrum Series,

New York, USA

————–

Oct 24, 2015

eyam i (it takes an ocean not to) for Bb Clarinet,

performed by Richard Haynes,

HGNM Residency,

Paine Hall, Harvard Music Department,

Boston, USA

————–

Oct 19, 2015

HGNM Colloquium on recent work,

Davidson Room,

Harvard Music Department,

Boston, USA

————–

Oct 3, 2015

mire|…|veins for brass quintet,

performed by Ensemble Apparat,

Ensemblekollectiv Berlin,

Akademie der Künste, Berlin

————–

Sept 29, 2015

rinn, a chamber opera, directed by Thierry Bruehl,

Taschenopernfestival, Klang 21,

ARGEkultur,

Salzburg, Austria

————–

Sept 25, 2015

rinn, a chamber opera, directed by Thierry Bruehl,

Taschenopernfestival, Klang 21,

ARGEkultur,

Salzburg, Austria

————–

Sept 24, 2015

rinn, a chamber opera, directed by Thierry Bruehl,

Taschenopernfestival, Klang 21,

ARGEkultur,

Salzburg, Austria

————–

Sept 18, 2015

rinn, a chamber opera, directed by Thierry Bruehl,

Taschenopernfestival, Klang 21,

ARGEkultur,

Salzburg, Austria

————–

Sept 17, 2015

rinn, a chamber opera, directed by Thierry Bruehl,

Taschenopernfestival, Klang 21,

ARGEkultur,

Salzburg, Austria

————-

Sept 16, 2015

rinn, a chamber opera, directed by Thierry Bruehl, dramaturgy by Hans-Peter Jahn,

Singers/Actors: Annika Boos, Soetkin Elbers, Klaus-Nicola Holderbaum, Constanze Passin, Philine Passin,

österreichisches ensemble für neue musik, conducted by Juan Garcia Rodriques,

Taschenopernfestival, Klang 21,

ARGEkultur,

Salzburg, Austria

————–

May 3, 2015

luna (the eye that opens the other eye) for alto saxophone solo,

performed by Ryan Muncy,

(con)temporary (in)sights, Spectrum, 

New York, USA

————-

April 18, 2015

eöl for percussion solo with cl, sax, acc, vc, db,

premiere by Alex Lipowski and Talea Ensemble,

MATA Festival, The Kitchen,

New York, USA

————-

April 17, 2015

unable to create an offscreen world for pre-recorded electronics,

Festival [ex nihilo], El Esfuerzo,

Aguascalientes, Mexico

————-

April 12, 2015

eyam i (it takes an ocean not to) for Bb Clarinet,

Performed by Carlos Cordeiro,

Spectrum Series,

New York, USA

————-

January 18, 2015

Dysmorphia for viola and cello,

performed by Ensemble Chartreuse,

Taszo Espresso Bar,

New York, USA

————-

January 8, 2015

Dysmorphia for viola and cello,

performed by Ensemble Chartreuse,

The Bop Stop,

Cleveland, USA

————-

November 28, 2014

eyam iv (Pluto’s farthest moons) for contrabass flute, spatialised ensemble, and electronics,

cbfl, [vla, vc], [perc], [gt], [ob], [bcl], [tba, db], and electronics (The EXPERIMENTALSTUDIO Freiburg des SWR),

premiere by Richard Craig (cbfl) and The Experimental Ensemble: Andrea Nagy (bcl), Pilar Fontalba (ob), Max Murray (tba), Klara Tomljanovic (gt), Olaf Tzschoppe (perc), Jessica Rona (vla), Daniela Shemar (vc), Johannes Nied (db), conducted by Detlef Heusinger, electronics directed by Simon Spillner

IMATRONIC, Festival of Electronic Music, ZKM,

Karlsruhe, Germany

————-

November 27, 2014

luna (the eye that opens the other eye) for alto saxophone solo,

premiere by Patrick Stadler,

Popakademie,

Mannheim, Germany

————-

November 22, 2014

luna|lithe|lair for ensemble,

premiere by ensemble mosaik,

Bludenzer Tage zeitgemäßer Musik

Bludenz, Austria

————-

November 15, 2014

I should live in wires for leaving you behind for piano and percussion

performance by Yarn/Wire,

EMPAC,

Troy, USA

————-

October 9, 2014

I should live in wires for leaving you behind for piano and percussion

premiere by Yarn/Wire,

Issue Project Room,

New York, USA

————-

August 12, 2014

to another of that other for Tpt, Tbn, and Cls

performance in Chamber Sessions by Paul Hübner, Weston Olencki, and Carlos Cordeiro

International Music Institute Darmstadt (IMD),

Germany

————-

August 6, 2014

anchor me to the land for ensemble

Premiere by The Curious Chamber Players,

International Music Institute Darmstadt (IMD),

Orangerie, Darmstadt,

Germany

————-

May 22, 2014

eyam i (it takes an ocean not to) for Bb Clarinet,

Performed by Heather Roche,

Galleri Oxholm, Copenhagen,

Denmark

————-

May 17, 2014

to another of that other for Bcl/Cl, Tbn, and Tpt,

Performed by ELISION Ensemble,

Paine Hall, Harvard University,

Boston

————-

May 11, 2014

eyam i (it takes an ocean not to) for Bb Clarinet,

Performed by Carol McGonnell (Argento Chamber Ensemble),

The Austrian Cultural Forum,

New York

————-

May 9, 2014

eyam i (it takes an ocean not to) for Bb Clarinet,

Performed by Carol McGonnell (Argento Chamber Ensemble),

The Austrian Cultural Forum,

New York

————-

May 9, 2014

eyam i (it takes an ocean not to) for Bb Clarinet,

Performed by Heather Roche,

Clothworkers Centenary Concert Hall,

University of Leeds International Concert Series, UK

————-

April 8, 2014

A presentation on recents works, and a performance of

unable to create an offscreen world (b) for piccolo and percussion

Performed by Rachel Beetz and Dustin Donahue,

UCSD Music Department,

San Diego

————-

April 5, 2014

the square of yellow light that is your window for a.sax, e.gt, perc, pf,

Premiere by Ensemble Nikel,

Paine Hall, Harvard University,

Boston

————-

March 19, 2014

to another of that other for cl(s), tpt, tbn,

Performed by ELISION,

Carriageworks, 245 Wilson St, Sydney,

Australia

————-

March 9, 2014

unable to create an offscreen world (b) for piccolo and percussion,

Performed by Rachel Beetz and Dustin Donahue,

UC San Diego CPMC Concert Hall,

San Diego

————-

March 5, 2014

eyam i (it takes an ocean not to) for Bb Clarinet,

Premiere by Carol McGonnell,

Moving On Music, Night Music,

Belfast

————-

July 4, 2013

unable to create an offscreen world (b) for piccolo and percussion

Concert of Irish music curated by Siobhán Cleary

Soundscape Festival

Maccagno, Italy

————-

June 27, 2013

Premiere of mire|…|veins for brass quintet

Performed by Ensemble Apparat

Villa Elisabeth, Berlin

more info: https://ensembleapparat.com/konzerte/

————-

March 6, 2013

Carta Bianca ai Giovani curated by /nu/thing

unable to create an offscreen world (c) for quintet

Performed by Divertimento Ensemble

Auditorium del Gruppo 24 Ore, Milan

Italy

————-

February 28, 2013

moil for string quartet

Performed by The JACK Quartet

Paine Hall, Harvard University

————-

February 15, 2013

to another of that other for trumpet, trombone, and bass clarinet

Performed by ELISION

Aula Maxima, University College Cork, Ireland

more info: https://www.music.ucc.ie/expression/images/uploads/fuaim-spring2013.pdf

————-

February 12, 2013

Paranoid Oneiroid for Trombone and Electronics

Performed by Benjamin Marks, ELISION

Kevin Barry Room, National Concert Hall, Dublin

more info: go to calendar on https://www.nch.ie

————-

February 12, 2013

National Concert Hall, Dublin

A curated concert of orchestral music for the National Symphony of Ireland’s Horizons Series

Ann Cleare                       phôsphors (…of ether) for  orchestra, [13’] ,World Premiere

Xenakis                            Metastaseis (B) for orchestra, [10’], Irish Premiere

Ann Cleare                      to another of that other for bcl, tpt, tbn, and orchestra, [16’], World Premiere

Conductor: Gavin Moloney

Soloists: ELISION,  Richard Haynes (bcl), Benjamin Marks (tbn), Tristram Williams (tpt)

https://www.rte.ie/performinggroups/2013/0212/12febhorizonscleare.html

————-

January 9, 2013

Preview of eyam i for clarinet

Performed by Carol McGonnell

The Stone

New York

————-

October 13, 2012

unable to create an offscreen world (b) for piccolo and percussion

Performed by The Argento Chamber Ensemble

Paine Hall, Harvard University

————-

September 21, 2012

‘Happening’, Culture Night, curated by Karen Power

GULAH for pre-recorded electronics

The Contemporary Music Centre, Dublin

Ireland

————-

August 30, 2012

Contemporary Music Centre Summer Series

IRK for viola

Performed by Lisa Dowling

The Exchange, Dublin,

Ireland

————-

July 16, 2012

Internationales Musikinstitut Darmstadt (IMD)

moil for string quartet

Reading session with The Arditti Quartet

Darmstadt, Germany

————-

May 14, 2012

on magnetic fields

for large ensemble divided into three chamber groups

performed by Collegium Novum Zürich

Tonhalle Zürich

Switzerland

————-

April 29, 2012

Wittener Tage für neue Kammermusik

on magnetic fields

for large ensemble divided into three chamber groups

performed by Collegium Novum Zürich

Theatersaal, Witten

Germany

————-

March 23, 2012

Harvard Blodgett Residency

moil for string quartet

performed by The Chiara String Quartet

Paine Hall, Harvard University

————-

March 8, 2012

MATA Interval Concert curated by Christopher Trapani

I am not a clockmaker either for accordion and electronics

Performed by Bill Schimmel

Issue Project Room, Brooklyn,

New York