Ann Cleare

July 9, 2023

gravity dreams iii (orbiting) for two electric guitars,

premiere by santorsa~pereyra duo,

Heroines of Sound Festival,

Berlin, Germany

———————

June 27, 2023

gravity dreams ii for two pianos,

premiere by Julia Den Boer & Laura Barger,

Miller Theatre,

New York, USA

———————

June 18, 2023

where cobalt waves live for piano,

performed by Daniel Browell/Hard Rain Ensemble,

Plein Theatre,

Amsterdam, The Netherlands

————–

June 16, 2023

where cobalt waves live for piano,

performed by Daniel Browell/Hard Rain Ensemble,

Queens University Belfast,

Belfast, Northern Ireland

————–

June 5 to 12, 2023

Guest Composer & Teacher at June in Buffalo,

performances from the Arditti Quartet and Switch Ensemble,

University of Buffalo,

USA, June 2023

————–

May 24, 2023

anfa for augmented contrabass flute with visuals by Ailbhe Ní Bhriain,

performance by Claire Chase,

The Kitchen at Westbeth,

New York, USA

————–

May 11, 2023

eyam i (it takes an ocean not to) for solo clarinet,

performance by Carol McGonnell,

Contemporary Insights Salon,

Leipzig, Germany

—–

April 21, 2023

MIDHE for 3 solo voices, solo accordion, spatialised choir, and orchestra,

premiered by Frauke Aulbert, Michelle O’Rourke, Eoghan Desmond, Dermot Dunne, National Philharmonic Choir, National Symphony Orchestra,

conducted by David Brophy,

visual direction from Justine Cooper, text from Annemarie Ní Churreáin,

New Music Dublin,

National Concert Hall,

Dublin, Ireland

————–

March 18, 2023

on magnetic fields for large ensemble divided into three chamber groups,

performed by Gageego Ensemble,

Göteborg Concert House,

Gotherburg, Sweden

————–

March 11, 2023

where cobalt waves live for piano,

performed by Uusinta Ensemble,

Musiikkitalo, Paavo-sali,

Helsinki, Finland

————–

March 8, 2023

Ceo & Eitilt for voice and piano,

Musica Nova Helsinki,

Helsinki, Finland

————–

March 8, 2023

Inner for cello and piano,

performed by Hard Rain Soloists Ensemble,

Queens University Belfast,

Belfast, Northern Ireland

————–

March 8, 2023

Inner for cello and piano,

performed by Hard Rain Soloists Ensemble,

Queens University Belfast,

Belfast, Northern Ireland

————–

February 23, 2023

Surface Station #1 & mire|…|veins,

performed by Apparat,

km28,

Berlin, Germany

————–

February 11, 2023

luna (the eye that opens the other eye) for solo alto saxophone,

performed by Joshua Hyde/ELISION,

Clothworkers Centenary Concert Hall,

Leeds, UK

————–

December 16th, 2022

on magnetic fields for two violins and one loudspeaker,

performance by International Ensemble Modern Academy,

Frankfurt University of Music and Performing Arts (HfMDK),

Frankfurt, Germany

————–

November 20th, 2022

Dysmorphia II for viola, cello, double bass,

performance by Red Note Ensemble,

Huddersfield Contemporary Music Festival,

Phipps Hall,

Huddersfield, England

————–

October 13, 2022

Spiral Nebula,

interdisciplinary collaboration with Fiona Breen, Mary Cooney Power, and Brendan Farrell,

OFFLINE Film Festival,

Courtyard Projections,

Birr, Ireland

————–

October 13 to 16, 2022

Guest Composer at Mixtur Festival,

I am not a clockmaker either for piano and electronics &

luna (the eye that opens the other eye) for saxophone

performed by Ensemble Suono Giallo,

Barcelona, Spain

——–

September 30, 2022

Inner for cello and piano,

performed by Curious Chamber Players,

Cinnober Teater,

Göteborg, Sweden

——–

September 18, 2021

eyam iii (if it’s living somewhere outside of you) for solo bass flute,

performed by Roberta Michel/ PinkNoise,

PinkNoise presents: eins

Scholes Street Studio, Brooklyn,

New York, USA

——–

September 1 to 12, 2022

Guest Jury Member at Gaudeamus Week,

performance of Fossil Light by riot ensemble,

Utrecht, The Netherlands

——–

August 23 to 30, 2022

Inner for viola and piano,

ISCM World New Music Days,

New Zealand

——–

July 21, 2022

I am not a clockmaker either for piano and electronics,

performance by Ensemble Suono Giallo,

Il Suono Contemporary Music Week,

Auditorium Santa Chiara Sansepolcro,

Tuscany, Italy

————–

July 4 to 10, 2022

Guest Composer at Tempus Konnex’s International Composer Exchange Week,

performance of Inner by Tempus Konnex,

Leipzig, Germany

—–

June 30th, 2022

fiáin for string quintet,

performance by Crash Ensemble,

West Cork Chamber Festival,

Cork, Ireland

—–

June 16th, 2022

Inner for cello and piano,

performance by Trio Feedback & ARTSOM,

Mostra Sonora,

València, Spain

—–

June 11 to 26, 2022

Guest Composer at Yarn/Wire International Institute,

performance of where cobalt waves live by Emma Mistele,

New York, USA

—–

June 13, 2022

eyam i (it takes an ocean not to) for solo clarinet,

performance by Carlos Cardeiro,

University of Music Chamber Hall,

Freiburg, Germany

—–

June 13, 2022

Fossil Light for quartet,

performance by Musikfabrik,

Studio Musikfabrik,

Cologne, Germany

———–

June 1, 2022

Fossil Light for quartet,

performance by Musikfabrik,

National Concert Hall,

Dublin, Ireland

————–

May 23, 2022

93 million miles away for violin, cello, and piano,

performed by Collegium Novum Zürich,

Museum für Gestaltung,

Zürich, Switzerland

————–

May 8 to 11, 2022   

The Little Lives,

premiere of a new opera at Munich Biennale,

Further details: https://muenchener-biennale.de/en/the-little-lives/

Utopia Hall,

Munich, Germany

————–

May 1, 2022

I am not a clockmaker either for piano and electronics,

performance by Isabelle O’Connell,

New Music Dublin,

National Concert Hall,

Ireland

————–

April 1, 2022

Inner for cello and piano,

performance by Louise McMonagle and Neil Georgeson,

Music & Wine at St. Luke’s,

Brighton, UK

————–

March 25, 2022

ore for clarinet and string trio,

performance by Talea Ensemble,

Rice University,

Houston, Texas, USA

————–

March 23, 2022

Dorchadas for ensemble,

performance by International Ensemble Modern Academy,

Hochschule für Musik und Darstellende Kunst (HfMDK),

Frankfurt, Germany

————–

March 17, 2022

Ceo|Glór|Eitilt for voice and piano,

performance by Gavan Ring & Fiachra Garvey,

Tionscadal na nAmhrán Ealaíne Gaeilge/ Irish Language Art Song Project

Streamed from Wigmore Hall,

London, UK

————–

February 21, 2022   

Periscope 1: Léas for voice,

A gift for the Royal Academy of Music’s 200th Birthday Celebration,

performed by Angharad Rowlands,

Angela Burgess Recital Hall, Royal Academy of Music,

London, UK

————–

December 28, 2021   

the physics of fog, swirling for large ensemble

performed by the Cabinet of Curiosities,

Goethe-Institut Hall,

Tokyo, Japan

————–

December 19, 2021

93 million miles away for violin, cello, and piano,

performed by Uusinta Ensemble,

Kallio Church,

Helsinki, Finland

————–

December 17, 2021 

Inner for cello and piano,

performance by House of Fire,

Neighborhood Unitarian Church,

California, USA

————–

December 9 – 11, 2021   

premiere of anfa for augmented contrabass flute with visuals by Ailbhe Ní Bhriain,

performed by Claire Chase,

Density 2036, part viii,

The Kitchen,

New York, USA

————–

November 27, 2021

I am not a clockmaker either for piano and electronics,

Old Power Plant Station,

Ljubljana New Music Forum,

Slovenia

————–

November 21, 2021   

the physics of fog, swirling for large ensemble

performed by Ensemble Kollektiv,

Rainy Days Festival,

Luxembourg

————–

November 20, 2021   

mire|…|veins for brass quintet,

performed by Ensemble Apparat,

Rainy Days Festival,

Luxembourg

————–

November 3, 2021

Visiting Artist of Composition Seminars,

Boston Conservatory at Berklee,

USA / Online

————–

September 5, 2021

Musikfabrik Portrait Concert, programme to include:

mire |…| veins for brass quintet;

ore for clarinet and string trio;

on magnetic fields for a large ensemble divided into three chamber groups;

new work for quartet;

the physics of fog, swirling for large ensemble

performed by Musikfabrik, conducted by Enno Poppe,

Berliner Philharmonie, Main Hall,

Musikfest Berlin, Germany

————–

August 15, 2021

eyam i (it takes an ocean not to) for Bb Clarinet,

Performance by Carol McGonnell (Argento Chamber Ensemble),

National Opera Centre/Online,

New York, USA

————–

July 11, 2021

Tintrí (Lightings) for Mezzo-Soprano and Piano,

premiere by Ekaterina Chayka-Rubinstein and Jan Philip Schulze,

Kissinger Liederwerkstatt, programmed by Axel Bauni,

Rossini-Saal, Kissinger Sommer,

Bad Kissingen, Germany

————–

June 29, 2021

I am not a clockmaker either for accordion and electronics,

performance by Vera Drazic,

Reaktorhalle Spielstätte der Musikhochschule,

Munich, Germany

————–

June 24, 2021

eyam iii (if it’s living somewhere outside of you) for solo bass flute,

performed by Rachel Beetz,

Summer Institute of Contemporary Performance Practice,

New England Conservatory,

Boston, USA/Online

————–

June 16 to 25, 2021

Composer in Residence at Summer Institute for Contemporary Performance Practice, 

New England Conservatory,

Boston, USA / Online

————–

May 31, 2021 

Inner for cello and piano,

performance by Louise McMonagle and Neil Georgeson,

Saint Anne’s Kew,

London, UK

————–

May 28, 2021

Royal College of Music (Kungliga Musikhögskolan) & Online,

Stockholm, Sweden

————–

May 5, 2021

surface station #2: the relighting of the sun for double-bell trumpet with electronic sculpture and video,

performance by Callum G’Froerer, video by Sabina Maselli,

Primrose Potter Salon,

Melbourne Recital Centre, Australia

————–

March 12, 2021

Visiting Artist of Composition Seminars,

Royal Academy of Music, London,

England / Online

————–

February 12, 2021

Guest Presenter at Webinar on ‘Re-Making the Creative Arts Canon, Re-Imagining the Creative Arts Curriculum’

The National Forum for the Enhancement of Teaching and Learning in Higher Education, Ireland

National University of Ireland Galway / Online

————–

February 12, 2021

where cobalt waves live for piano,

performed by Daniel Browell/Hard Rain Ensemble,

Going Solo: Online Concert,

Northern Ireland / Online

————–

November 16-18, 2020

Guest Composer at The University at Buffalo,

Online / New York State, USA

————–

November 14, 2020 – POSTPONED  

mire|…|veins for brass quintet,

performed by Ensemble Apparat,

Rainy Days Festival,

Luxembourg

————–

November 13, 2020

93 million miles away for violin, cello, and piano,

performed by Riot Ensemble,

Wien Modern,

Vienna, Austria

————–

October 25, 2020 – POSTPONED  

Premiere of now we see through a glass for choir, 

Abendmusik,

Presented by Music for Galway & Galway 2020,

St Nicholas’ Collegiate Church & streamed online,

Galway, Ireland

————–

October 16, 2020

Guest on Line upon Line’s Composer Talks, 

Texas, USA/ Online

————–

October 13, 2020

Guest on Yarn/Wire’s Feedback Series, 

marking Yarn/Wire’s 15th Anniversary,

New York/ Online

————–

October 3, 2020 

Inner for violin and piano,

performance by Sarah Saviet and Joseph Houston,

KM28,

Berlin, Germany

————–

September 19, 2020

where cobalt waves live for piano,

performed by Mabel Kwan,

In the Key of Now: Online Concert,

Chicago, USA/ Online at 7.30pm CDT

————–

September 18, 2020

New work,

inspired by Birr Castle’s Spiral Nebula Walk,

developed in collaboration with Fiona Breen, Mary Cooney Power, and Brendan Farrell,

Culture Night 2020 Online

————–

June 21 – July 2, 2020

Guest Composition Faculty at Yarn/Wire Institute, 

Online/Stony Brook University,

New York, USA

————–

June 28, 2020 – POSTPONED 

Premiere of a New Choral work, 

Abendmusik,

Music for Galway 2020,

St Nicholas’ Collegiate Church,

Galway, Ireland

————–

June 14, 2020 – POSTPONED

93 million miles away for violin, cello, and piano,

performed by The Fidelio Trio,

National Sawdust,

New York, USA

————–

June 7, 2020 – POSTPONED

93 million miles away for violin, cello, and piano,

performed by Riot Ensemble,

Inventions,

St Anne’s Church, Kew,

London, UK

————–

June 6, 2020 – POSTPONED

93 million miles away for violin, cello, and piano,

performed by Riot Ensemble,

York Late Music Festival,

York, UK

————–

June 5, 2020 – POSTPONED

93 million miles away for violin, cello, and piano,

performed by Riot Ensemble,

Salisbury International Arts Festival,

Salisbury, UK

————–

May 23, 2020 – POSTPONED

Inner for cello and piano,

performance by The Hard Rain Ensemble,

Harty Room, Queens University,

Belfast, Northern Ireland

————–

May 19, 2020 – POSTPONED

Inner for violin and piano,

performance by Sarah Saviet and Joseph Houston,

Unerhörte Musik,

Berlin, Germany

————–

May 15th, 2020

Hochschule der Künste,

Bern, Switzerland

————–

April 30th, 2020 – POSTPONED

Inner for violin and piano,

International Society for Contemporary Music Festival (ISCM),

New Zealand

————–

April 24, 2020 – POSTPONED

Inner for cello and piano,

performance by hand werk,

Schloss Rheinsberg,

Rheinsberg, Germany

————–

April 16, 2020 – POSTPONED

Inner for violin and piano,

performance by Austin Wulliman/Dal Niente,

Constellation,

Chicago, USA

————–

April 3 & 4, 2020 – POSTPONED

Guest Composer of In.Nova Fert,

G. B. Martini Conservatory,

Bologna, Italy

————–

March 12, 2020 – POSTPONED

Ceo|Glór|Eitilt for baritone and piano,

premiere by Gavan Ring & Louise Thomas,

Tionscadal na nAmhrán Ealaíne Gaeilge/ Irish Language Art Song Project

National Concert Hall,

Dublin, Ireland

————–

March 10, 2020

Inner for violin and piano,

performance by Sarah Saviet and Joseph Houston,

Sussex University,

Brighton, UK

————–

February 28, 2020

surface station #1: in the upper atmosphere for extended French horn solo,

performance by Samuel Stoll, 

NUMU Concert Series,

Baden, Switzerland

————–

February 25, 2020

Inner for violin and piano,

performance by Austin Wulliman & Conrad Tao,

Miller Theatre,

New York, USA

————–

January 28, 2020

Inner for cello and piano,

performance by hand werk,

Institut für Neue Musik der Musikhochschule Freiburg,

Freiburg, Germany

————–

January 4 & 5, 2020

New Music Days,

Gdansk, Poland

————–

December 15, 2019

eyam i (it takes an ocean not to) for Bb Clarinet,

performed by Ji Eun Kim of Contemporary Insights Ensemble, 

Museum der bildenden Künste

Leipzig, Germany

————–

December 13, 2019

Inner for violin and piano,

performance by Sarah Saviet and Joseph Houston,

Zuhören #4: Climate change and democracy – From complexity to action,

Sasha Waltz & Guests,

Radial System,

Berlin, Germany

————–

December 12, 2019

Inner for cello and piano,

performance by hand werk,

hw19c_#3 Gute Musik, 

Kunststation St. Peter,

Cologne, Germany

————–

December 2 & 3, 2019

Guest Composer at Escola Superior de Música de Catalunya, 

Barcelona, Spain

————–

November 15, 2019

Huddersfield Contemporary Music Festival Portrait Concert, programme to include:

on magnetic fields for two violins and loudspeaker;

teeth of light, tongue of waves for soprano and bassoon duo with strings;

eyam iv (Pluto’s farthest moons) for contrabass flute, spatialised ensemble, and electronics,

performed by The Riot Ensemble, conducted by Aaron Holloway Nahum, 

Town Hall,

Huddersfield, England

————–

October 27, 2019

Unit 3, James Joyce Street,

Dublin, Ireland

————–

October 26, 2019

Tempered Festival,

Belfast, UK

————–

October 24, 2019

Musikfabrik Portrait Concert, programme to include:

mire |…| veins for brass quintet;

ore for clarinet and string trio;

eöl for percussion solo with cl, sax, acc, vc, db;

on magnetic fields for a large ensemble divided into three chamber groups,

performed by Musikfabrik, conducted by Enno Poppe,

Trinitatiskirche, 

Cologne, Germany

————–

September 14, 2019

launch of CrashLands,

including a recording a fiáin,

Kino Cinema,

Cork, Ireland

————–

August 3, 2019

New York, USA

————–

September 20, 2016

Dorchadas for large ensemble,

performed by The Crash Ensemble,

Composing the Island: A Century of Music in Ireland 1916-2016,

National Concert Hall,

Dublin, Ireland

————–

August 6, 2016

Guest Discussant with Roger Reynolds,

Lecture on Shaping Form and Content by Boundary Conditions: Flexible Opportunity, not Rigid Obligation; Principled behavior, not Rigor,

International Music Institute Darmstadt,

Germany

————–

July 24, 2016

Guest Panelist with Frederic Rzewski, Grainne Mulvey, Kevin O’Connell, and Martin O’Leary,

Seminar on Can Music Change the World?

Dublin International Piano Festival,

Mart Gallery, Dublin, Ireland

————–

July 1, 2016

luna (the eye that opens the other eye) for solo alto saxophone,

performed by David Wegehaupt & null point,

Hallwalls Contemporary Arts Centre,

Buffalo, USA

————–

July 1, 2016

eyam iii (if it’s living somewhere outside of you) for solo bass flute, 

performance by Laura Cocks,

Trans Pecos,

New York, USA

————–

June 24, 2016

rinn, chamber opera, directed by Thierry Bruehl, 

Ensemble Garage, conducted by Mariano Chiacchiarini,

Musiktheater im Revier,

Gelsenkirchen, Germany

————–

June 18, 2016

rinn, chamber opera, directed by Thierry Bruehl, 

Ensemble Garage, conducted by Mariano Chiacchiarini,

Theater Solingen,

Solingen, Germany

————–

June 7, 2016

the square of yellow light that is your window for quartet,

performance by Vertixe Sonore,

Sala Emilia Pardo Bazán, Edificio de Ferro do Campus de Ourense da UVigo, 

Ourense, Spain

————–

June 3, 2016

eyam iii (if it’s living somewhere outside of you) for solo bass flute,

performance by Lina Andonovska,

AIC concert, curated by Karen Power,

12 Henrietta St, 

Dublin, Ireland

————–

May 25, 2016

unable to create an offscreen world (c) for quintet

performance by TAK Ensemble,

Roulette, 

New York, USA

————–

May 21, 2016

ore for clarinet and string trio

premiere by ensemble recherche,

Paine Hall, Harvard Music Department,

Boston, USA

————–

Apr 19, 2016

eyam iii (if it’s living somewhere outside of you) for solo bass flute shadowed by one low wind instrument and one string instrument

performance by Laura Cocks, Liam Kinson, Marina Kifferstine,

Elebash Recital Hall, CUNY,

New York, USA

————–

April 7-9, 2016

Guest Composer at Music Current organised by Dublin Sound Lab

a new festival showcasing Irish electronic music and contemporary international repertoire,

Smock Alley Theatre and Contemporary Music Centre, Dublin,

information and call for participation can be found here: https://www.dublinsoundlab.ie/music_current/

————–

Feb 15-18, 2016

Guest at Campus Musikfabrik,

workshops and presentations with the musicians of Ensemble Musikfabrik,

Cologne, Germany

————–

Dec 18, 2015

luna|lithe|lair for ensemble and eyam iii (if it’s living somewhere outside of you) for bass flute,

performance by ensemble mosaik and Bettina Junge,

Kunstquartier Bethanien,

Berlin, Germany

————–

Dec 17, 2015

luna|lithe|lair for ensemble and eyam iii (if it’s living somewhere outside of you) for bass flute,

performance by ensemble mosaik and Bettina Junge,

Kunstquartier Bethanien,

Berlin, Germany

————–

Dec 10, 2015

Presentation on recent works,

Music Department of Maynooth,

Kildare, Ireland

————–

Nov 26, 2015

phôsphors (…of ether) for orchestra,

performed by The BBC Scottish Symphony Orchestra, conducted by Ilan Volkov,

City Hall,

Glasgow, Scotland

————–

Nov 21, 2015

Multiple Personality Disorder for saxophone and electronics,

performed by Gavin Brennan and Dublin Sound Lab,

Graphic Print Studio, Temple Bar,

Dublin, Ireland

————–

Nov 6-8, 2015

Guest Composer at NUNC!2,

presentations, teaching, concert performances, to include a performance of on magnetic fields for large ensemble,

performed by The School of Music’s Contemporary Music Ensemble, conducted by Ben Bolter,

Northwestern University,

Chicago, USA

————–

Oct 25, 2015

Portrait Concert of recent works alongside the music of Timothy McCormack:

Body Matter for bassoon, performed by Chris Watford

Disfix for trio, performed by William Lang, Adrian Sandi, and Andy Kozar

here is a sequence of signs, each having a sound and a meaning for trombone, performed by William Lang

eyam iii (if it’s living somewhere outside of you) for bass flute, premiere by Richard Craig

to another of that other for trio, performed by William Lang, Adrian Sandi, and Andy Kozar

Paranoid Oneiroid for trombone, performed by William Lang

Spectrum Series,

New York, USA

————–

Oct 24, 2015

eyam i (it takes an ocean not to) for Bb Clarinet,

performed by Richard Haynes,

HGNM Residency,

Paine Hall, Harvard Music Department,

Boston, USA

————–

Oct 19, 2015

HGNM Colloquium on recent work,

Davidson Room,

Harvard Music Department,

Boston, USA

————–

Oct 3, 2015

mire|…|veins for brass quintet,

performed by Ensemble Apparat,

Ensemblekollectiv Berlin,

Akademie der Künste, Berlin

————–

Sept 29, 2015

rinn, a chamber opera, directed by Thierry Bruehl,

Taschenopernfestival, Klang 21,

ARGEkultur,

Salzburg, Austria

————–

Sept 25, 2015

rinn, a chamber opera, directed by Thierry Bruehl,

Taschenopernfestival, Klang 21,

ARGEkultur,

Salzburg, Austria

————–

Sept 24, 2015

rinn, a chamber opera, directed by Thierry Bruehl,

Taschenopernfestival, Klang 21,

ARGEkultur,

Salzburg, Austria

————–

Sept 18, 2015

rinn, a chamber opera, directed by Thierry Bruehl,

Taschenopernfestival, Klang 21,

ARGEkultur,

Salzburg, Austria

————–

Sept 17, 2015

rinn, a chamber opera, directed by Thierry Bruehl,

Taschenopernfestival, Klang 21,

ARGEkultur,

Salzburg, Austria

————-

Sept 16, 2015

rinn, a chamber opera, directed by Thierry Bruehl, dramaturgy by Hans-Peter Jahn,

Singers/Actors: Annika Boos, Soetkin Elbers, Klaus-Nicola Holderbaum, Constanze Passin, Philine Passin,

österreichisches ensemble für neue musik, conducted by Juan Garcia Rodriques,

Taschenopernfestival, Klang 21,

ARGEkultur,

Salzburg, Austria

————–

May 3, 2015

luna (the eye that opens the other eye) for alto saxophone solo,

performed by Ryan Muncy,

(con)temporary (in)sights, Spectrum, 

New York, USA

————-

April 18, 2015

eöl for percussion solo with cl, sax, acc, vc, db,

premiere by Alex Lipowski and Talea Ensemble,

MATA Festival, The Kitchen,

New York, USA

————-

April 17, 2015

unable to create an offscreen world for pre-recorded electronics,

Festival [ex nihilo], El Esfuerzo,

Aguascalientes, Mexico

————-

April 12, 2015

eyam i (it takes an ocean not to) for Bb Clarinet,

Performed by Carlos Cordeiro,

Spectrum Series,

New York, USA

————-

January 18, 2015

Dysmorphia for viola and cello,

performed by Ensemble Chartreuse,

Taszo Espresso Bar,

New York, USA

————-

January 8, 2015

Dysmorphia for viola and cello,

performed by Ensemble Chartreuse,

The Bop Stop,

Cleveland, USA

————-

November 28, 2014

eyam iv (Pluto’s farthest moons) for contrabass flute, spatialised ensemble, and electronics,

cbfl, [vla, vc], [perc], [gt], [ob], [bcl], [tba, db], and electronics (The EXPERIMENTALSTUDIO Freiburg des SWR),

premiere by Richard Craig (cbfl) and The Experimental Ensemble: Andrea Nagy (bcl), Pilar Fontalba (ob), Max Murray (tba), Klara Tomljanovic (gt), Olaf Tzschoppe (perc), Jessica Rona (vla), Daniela Shemar (vc), Johannes Nied (db), conducted by Detlef Heusinger, electronics directed by Simon Spillner

IMATRONIC, Festival of Electronic Music, ZKM,

Karlsruhe, Germany

————-

November 27, 2014

luna (the eye that opens the other eye) for alto saxophone solo,

premiere by Patrick Stadler,

Popakademie,

Mannheim, Germany

————-

November 22, 2014

luna|lithe|lair for ensemble,

premiere by ensemble mosaik,

Bludenzer Tage zeitgemäßer Musik

Bludenz, Austria

————-

November 15, 2014

I should live in wires for leaving you behind for piano and percussion

performance by Yarn/Wire,

EMPAC,

Troy, USA

————-

October 9, 2014

I should live in wires for leaving you behind for piano and percussion

premiere by Yarn/Wire,

Issue Project Room,

New York, USA

————-

August 12, 2014

to another of that other for Tpt, Tbn, and Cls

performance in Chamber Sessions by Paul Hübner, Weston Olencki, and Carlos Cordeiro

International Music Institute Darmstadt (IMD),

Germany

————-

August 6, 2014

anchor me to the land for ensemble

Premiere by The Curious Chamber Players,

International Music Institute Darmstadt (IMD),

Orangerie, Darmstadt,

Germany

————-

May 22, 2014

eyam i (it takes an ocean not to) for Bb Clarinet,

Performed by Heather Roche,

Galleri Oxholm, Copenhagen,

Denmark

————-

May 17, 2014

to another of that other for Bcl/Cl, Tbn, and Tpt,

Performed by ELISION Ensemble,

Paine Hall, Harvard University,

Boston

————-

May 11, 2014

eyam i (it takes an ocean not to) for Bb Clarinet,

Performed by Carol McGonnell (Argento Chamber Ensemble),

The Austrian Cultural Forum,

New York

————-

May 9, 2014

eyam i (it takes an ocean not to) for Bb Clarinet,

Performed by Carol McGonnell (Argento Chamber Ensemble),

The Austrian Cultural Forum,

New York

————-

May 9, 2014

eyam i (it takes an ocean not to) for Bb Clarinet,

Performed by Heather Roche,

Clothworkers Centenary Concert Hall,

University of Leeds International Concert Series, UK

————-

April 8, 2014

A presentation on recents works, and a performance of

unable to create an offscreen world (b) for piccolo and percussion

Performed by Rachel Beetz and Dustin Donahue,

UCSD Music Department,

San Diego

————-

April 5, 2014

the square of yellow light that is your window for a.sax, e.gt, perc, pf,

Premiere by Ensemble Nikel,

Paine Hall, Harvard University,

Boston

————-

March 19, 2014

to another of that other for cl(s), tpt, tbn,

Performed by ELISION,

Carriageworks, 245 Wilson St, Sydney,

Australia

————-

March 9, 2014

unable to create an offscreen world (b) for piccolo and percussion,

Performed by Rachel Beetz and Dustin Donahue,

UC San Diego CPMC Concert Hall,

San Diego

————-

March 5, 2014

eyam i (it takes an ocean not to) for Bb Clarinet,

Premiere by Carol McGonnell,

Moving On Music, Night Music,

Belfast

————-

July 4, 2013

unable to create an offscreen world (b) for piccolo and percussion

Concert of Irish music curated by Siobhán Cleary

Soundscape Festival

Maccagno, Italy

————-

June 27, 2013

Premiere of mire|…|veins for brass quintet

Performed by Ensemble Apparat

Villa Elisabeth, Berlin

more info: https://ensembleapparat.com/konzerte/

————-

March 6, 2013

Carta Bianca ai Giovani curated by /nu/thing

unable to create an offscreen world (c) for quintet

Performed by Divertimento Ensemble

Auditorium del Gruppo 24 Ore, Milan

Italy

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February 28, 2013

moil for string quartet

Performed by The JACK Quartet

Paine Hall, Harvard University

————-

February 15, 2013

to another of that other for trumpet, trombone, and bass clarinet

Performed by ELISION

Aula Maxima, University College Cork, Ireland

more info: https://www.music.ucc.ie/expression/images/uploads/fuaim-spring2013.pdf

————-

February 12, 2013

Paranoid Oneiroid for Trombone and Electronics

Performed by Benjamin Marks, ELISION

Kevin Barry Room, National Concert Hall, Dublin

more info: go to calendar on https://www.nch.ie

————-

February 12, 2013

National Concert Hall, Dublin

A curated concert of orchestral music for the National Symphony of Ireland’s Horizons Series

Ann Cleare                       phôsphors (…of ether) for  orchestra, [13’] ,World Premiere

Xenakis                            Metastaseis (B) for orchestra, [10’], Irish Premiere

Ann Cleare                      to another of that other for bcl, tpt, tbn, and orchestra, [16’], World Premiere

Conductor: Gavin Moloney

Soloists: ELISION,  Richard Haynes (bcl), Benjamin Marks (tbn), Tristram Williams (tpt)

————-

January 9, 2013

Preview of eyam i for clarinet

Performed by Carol McGonnell

The Stone

New York

————-

October 13, 2012

unable to create an offscreen world (b) for piccolo and percussion

Performed by The Argento Chamber Ensemble

Paine Hall, Harvard University

————-

September 21, 2012

‘Happening’, Culture Night, curated by Karen Power

GULAH for pre-recorded electronics

The Contemporary Music Centre, Dublin

Ireland

————-

August 30, 2012

Contemporary Music Centre Summer Series

IRK for viola

Performed by Lisa Dowling

The Exchange, Dublin,

Ireland

————-

July 16, 2012

Internationales Musikinstitut Darmstadt (IMD)

moil for string quartet

Reading session with The Arditti Quartet

Darmstadt, Germany

————-

May 14, 2012

on magnetic fields

for large ensemble divided into three chamber groups

performed by Collegium Novum Zürich

Tonhalle Zürich

Switzerland

————-

April 29, 2012

Wittener Tage für neue Kammermusik

on magnetic fields

for large ensemble divided into three chamber groups

performed by Collegium Novum Zürich

Theatersaal, Witten

Germany

————-

March 23, 2012

Harvard Blodgett Residency

moil for string quartet

performed by The Chiara String Quartet

Paine Hall, Harvard University

————-

March 8, 2012

MATA Interval Concert curated by Christopher Trapani

I am not a clockmaker either for accordion and electronics

Performed by Bill Schimmel

Issue Project Room, Brooklyn,

New York